Postmodern modernity is a period closely with the progressive era, the Industrial Revolution, or the period of Enlightenment. Postmodern architecture emerged as a reaction against the shortcomings of modern architecture (Welsch, pg76). The rigid doctrines, uniformity, and inadequate ornaments that existed in contemporary architecture before postmodernity provoked the origin of postmodern architecture. The Postmodern style of architecture and the decorative arts began in the late 1970s and still exists. Postmodern modernity is the type of modernism that incorporates the new tendencies of the 20th century, particularly the advanced arts and sciences.
During postmodern modernity, people depended more on science and logical thinking to perceive the word. Also, people’s knowledge came from scientific perception and rational thought rather than religion, faith, magic, and superstition. For instance, Plato and Socrates’s perception of the world’s structure resulted in the deconstruction of new buildings (Kolb, pg.30). The architects developed the unified technological view that portrayed the world in direct and honest forms. ‘Most postmodern architects claim the dramatic forms of the architecture are pasee’ (Kolb, pg. 90). The architects saw the existing buildings as old-fashioned and never aligned with the technological world. Therefore, their perception resulted in the construction of new buildings in the postmodern era.
The modernization resulted in relatively free processes and the existence of free floated individuals (Kolb, pg. 91). People are less attached to the cultural society and identify themselves with society’s respective social roles and values. The community comprises individuals who think critically and generate new ideas that enhance development in society. For instance, Weber has significantly contributed to the development of the rationalized world due to his knowledge of modernization. Individuals in modern society have the freedom to make their own choices and maximize the fit of their needs. Modernization has led to new ideas and the best methods of maximizing various goals and objectives.
For instance, Gropius’s argument on the ideal size of the residence block aims to satisfy the complex combination of variables, including the population and the available resources (Kolb, pg. 93). Society should comprise buildings that allow people to have the freedom to exercise their experiences. In addition, the social construction should relate to the institution’s goals instead of values and standards. Therefore, the historical institutions that liberated humanity in history became the appropriate palaces. Modernity resulted in new self-consciousness that changed human relations to account.
Both the postmodern art resulted in eclecticism and humor in the building construction (Amiri, pg. 1627). The art never discriminated against fine art and mass art; hence the architects combined the past and the present styles in the architecture that resulted in classic constriction. Similarly, postmodern architecture continued with modernization, which portrayed cultural and physical history in their construction (Amiri, pg. 1629). The architects have shown the grammar of architecture in each area. Modern architecture solved and created a better environment than the current period. For instance, postmodern architecture has used interesting decorations and colors that are more attractive.
To conclude, postmodern modernity created an environment that accommodated the perception of different people. Society has allowed people to generate ideas that promote development in the community. Postmodern architecture is highly electric and has developed differences and distinctions by accumulating different styles. As a result, society has become more diverse, resulting in dissonant harmony.
Work Cited
Welsch, Wolgang.Postmodernism-Posthumnaism-Evaluationary Anthropology. Journal of post human studies. 2017 pg. 75-86.
Amiri, Niki. Modernism and postmodernism in architecture emphasize the characteristics, similarities, and differences. The Turkish Online Journal of Design, Art, and Communication.2016
Kolb, David. Postmodern Sophistication. University of Chicago, Press.1990.
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