Mrs. Minnie Wright is an unseen key personality in the Susan Glaspell publication called “Trifles”. It deals with the tale of a woman that seems to have just lost control of her feelings and snaps, slaying her abusive spouse. Her drive for murder goes even far beyond the murder of her birdie. The canary is likewise more than simply a symbol. Minnie is recognized for her deep-seated change after she wedded her husband, John. Throughout her childhood, she is seemingly a lady who is filled with life and loves singing as well as dancing. Once she weds John, she appears to vanish even from the persons who know her so well. Well along, she begins to display signs of self-depreciation: She does not adorn nice clothes any longer, does not look after her appearance as she usually did, and she even becomes secluded from everyone.
Long after this separation, John also shows up lifeless and she is the chief suspect, being that she was on location at the time it all takes place. Nevertheless, it is through those “trifles”-the little things which do not appear to mean a lot- which are found by Mrs. Hale as well as Mrs. Peters which one comes to realize that Mrs. Wright had been under callous amounts of trauma. The trivialities comprise Mrs. Wright’s disparate sewing. This is nonstandard because the ladies in the tale speak of the stitching as doings for leisure. Consequently, one can argue that, amid the isolation, the shock and the solitude, Minnie’s canary would be the lone living thing which she would connect to then her husband executes it, making her snap totally.
Similar to all the characters in the play – all the inhabitants in this illusory town – there was a reserve which exists between the two women. They are absorbed with their own family life and thus do not create a bond among them. Furthermore, Mrs. Peters was an outsider and she did not grow up with the main character, Minnie or even Mrs. Hale – consequently, she is more removed from the state and from her sister wives. That parting between these two ladies is ricocheted in Minnie’s condition and the source for the clash in the story, the killing of her spouse. Minnie had been detached from the others, at the clemency of her hubby only. She is lonely, secluded, and defenseless. She breathes “down in the hollow” besides is far detached from the other homes. This finally sets up the bad state in her marriage that leads to her reprisal.
The relationships between the two main characters also change all through the play, however. Among the themes of the story is that of the gender roles, as well as the manner in which Mrs. Peters and Mrs. Hale finally grow closer as they attempt to appreciate and defend Minnie displays the gender roles. As they are women, they understand the struggle Minnie was facing besides the power of her suppression. That is why they decided, together, to cover the evidence of Minnie’s responsibility, forming the bond in their joint decision – female counter to male.
Minnie Wright is designated by the women as being a beautiful girl who then sang in their church choir (just like the canary that she had bought plus probably loved). She wore lively dresses and had been rosy-cheeked and absolutely pleasant before matrimony. The kitchenette and her presence as described by those men who had taken her in are glaring by assessment. She was sullen, unaided, depressed, and not relaxed without her smock that now describes her. The women also comment on how tough farm work was, particularly in the remote areas of the Wright’s farm. That is why, later when they discover the deceased bird wrapped affectionately in silk and slipped gently into a sewing box, the women abruptly recognize that Minnie killed her husband for also being an unkind and remorseless man who essentially “killed” a songbird that Minnie had once been. They inaudibly come to the conclusion not to display to the men the proof and to conceal the evidence of Minnie’s criminality under their own coats (Glaspell 26).
The ladies connected these two events of a bird’s death as well as the matrimony of the Wrights together. Whenever Mrs. Wright was “Minnie Foster,” only then she had been very content and a part of the motive she had been glad was since she loved also to sing. Nonetheless just like that bird which loved to sing, her husband, Mr. Wright had killed it. The marriage smothered her pleasure when she quit singing just as that bird had stopped singing immediately after Mr. Wright had killed it. Nevertheless it is also strange who really killed the songbird, but assumption can contend that it had been her husband Mr. Wright and not the wife.
Glaspell, Susan. Trifles. Baker’s Plays, 2010. Print.