Everyone in Hollywood’s film library, which includes films from different periods and genres, does not hold the status of a classic. Turner Classic Movies (TCM) is a witness to the fact that cinema from the past 100 years is represented. In this context, this channel shows that there are many options. It is evident that streaming services like HBO, STARZ, AMC, TNT, and USA not only broaden the concept of cinema beyond the usual classics but it must be noted that only some films, even those considered classics, get universal acclaim. As a well-known website that gathers film reviews from the media, Rotten Tomatoes occasionally casts doubt on films generally agreed upon as masterpieces. The core aim of this article is to analyze and improve one feature of a chosen film using rhetorical appeals, which will improve the latter’s quality.
The epic movie “Casablanca,” produced in 1942 and directed by Michael Curtiz, is the focus of this article. The film is acknowledged for its immortal love story that is played out against the backdrop of a political frenzy. At this, the development of Ilsa Lund, a role that Ingrid Bergman played, is emphasized (Curtiz). The character of Ilsa within the movie may develop more. As a result, the audience allows themselves to be more emotionally involved despite most aspects of the film being perfect.
However, Ilsa as a character is important in the curious story involving romance and mystery. The story would have been significantly enhanced had the writer examined her past, her purposes, and the inner conflicts she has to cope with. The moviegoer can feel through the overalls of the main character, who exhibits her past story and feelings, which is why the protagonist behaves in a determined way in the film (Curtiz). In this quest, this update would make the experience of watching higher for the viewers, and “Casablanca” would go from a simple drama love story to an overall character-driven film.
Through the depiction of Ilsa as a stronger character, emotional connection is portrayed as the core pillar of a loving relationship. Emotional connection. Though the film shows a lifetime of the main characters swept into political struggles and intrigues, it is evident that if the layer of love is removed, the film will collapse. Plunging the emotional ties between the viewer and Ilsa would produce the same effect, converting the film into an emotional powerhouse (Curtiz). Moreover, the viewers would be very close to seeing themselves in the portrayed characters after the film, and this would be compelling to watch, appreciating the terrors they could face. At the center of the action is the symbolic emotional heart of the picture because as the story progresses, it seems that unlike before, on the other end of the spectrum, where the picture was made and seen, and where there is much time gone and forgotten, it has started to become something more than the grand picture of its time over something timeless, a cinematic masterpiece.
Furthermore, concentrating on the methods used to see Ilsa’s transformation is essential to proving the thesis statement. Another frequent thing is speaking of a fantasy world, starting with its history, answering the main questions, and proving the relevance of the plot (Curtiz). As the movie does, it does the entire process in a very involving way. In this regard, anything can come to the screen; it can be the typical storyline about relationship, duration, and struggle or the one that explains the circumstances that led to her behaviors in Casablanca.
On the other hand, the inner drama that Ilsa sparked could have been more subtly rendered through writing off-screen, unembellished enough to inspire Ingrid Bergman’s performance into subtler depictions of these same problems. Through this gesture, Burns probably wanted viewers to understand that her character was complex.
Presumably, the use of rhetorical appeals reflects their importance only. The last one, namely logical reasoning, aims to examine the narrative pattern of the film “Casablanca,” in which it seems particularly worth mentioning the issue of the characters. The points put forward have more persuasion when the authors mention a unique aspect of the movie, such as the in-depth examination of the Ilsa character with the support of logic presented to the audience to achieve this (Curtiz). Thus, for the filmmakers to successfully establish credibility, it is essential to position the film as not just any regular movie but as a classic. Moreover, it is also necessary to celebrate the film’s merits and recommend more improvements. Therefore, the author is the reviewer who attempts to determine the production’s positive points and states what needs strengthening. In this context, emotional appeal implies how the developed Ilsa affects viewers’ hearts and causes them to experience the movie’s emotional core.
However, as a rule, a strong argument always examines the opposing point of view. Perhaps the critics claim that “Casablanca” has obtained iconic status; therefore, further character development is not necessary. In response to the given, the first thing to highlight is that the aim is not to reduce the film’s success but to check into how a particular enhancement may raise the movie to a higher level. The strength of the argument is significantly improved when you incorporate the opposition’s viewpoints. Therefore, the above consideration is essential to improving the movie and making the viewers internalize Ilsa’s character and characterization. In this sense, character development is essential, especially when passing the film’s central idea through a specific character. Considering this recommendation, the information can be passed to the audience better to ensure a catchy and well-developed movie.
Generally, upgrading an aspect of the movie is the key factor in the overall effect. The significant development of Ilsa Lund’s character becomes the principal idea of the screen’s adaptation of “Casablanca,” the movie. The viewer could engender a more profound emotional relationship with the movie if it went deeper into Isla’s past, personal goals, and psychological problems. For this reason, based on rhetorical appeals, the argument focuses on the impact that a person or group of people always feels when change is advocated for. However, it acknowledges the positioning of the film as a masterpiece; it manages to achieve a delicate relationship between constructive critique and the lack of fallacies of all kinds of the provided counterarguments. Finally, the research emphasizes the greatness of the modifications and puts “Casablanca” in a place where it is not only a classic but also a great movie that will still be around for years.
Work Cited
Curtiz, Michael. “B&W Cinema: Casablanca.” Internet Archive, 1942, archive.org/details/Casablanca-1942_202203/Casablanca+(1942).mp4. Accessed 28 Feb. 2024.
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