The movie “Parasite,” directed by Bong Joon-ho, expertly weaves a story that exposes the facades hiding societal inequalities. The film tells a compelling tale that delves into the complexities of social categorizations. The movie employs some masks to depict the closeness of relationships in various societies. Delving into Erikson’s mask concept, this observation demonstrates the exceptional intertwining of grandeur, struggle, deceit, and social inequity in “Parasite.”
As the Kim brothers settle into family life within the prosperous Park of “Parazi,” it becomes obvious that a society with such strict guidelines might make it impossible to ascend above ground. Even though they are not flashy, the Kims can sell new human beings for jobs, allowing them to live excessive lifestyles with the Park cousins. The Kim family can take advantage of Park’s international possibilities by manipulating and deceiving their manner through society (Indie MovieClips, 2019). In evaluation, while seen through Erikson’s prism, social mobility appears as a fake phantasm, displaying a line from poverty to success in a hierarchical society. Societal facades promote instability and inequality, as shown by the aid of the Kim circle of relatives’s penchant for social mobility through extended family, which leads to their downfall (Prochaska & Norcross, 2018). Ericsson’s angle shows the deceptive nature of social mobility, which calls into doubt the sincerity of striving for a higher lifestyle.
The vanity of solidarity inside a stratified society is shown by the hidden tensions and inequities inside the Park family’s outward look of wealth and stability. The Facade of Class Harmony is validated by the truth that the Park family has the impact of being prosperous and strong. Even though their lives look ideal, tensions are constructed below the floor, exposing the fact that the veneer of class concord is a method to conceal the power dynamics beneath the floor (Movieclips Indie, 2019). Because the connections between the Parks and their employees are plagued with exploitation and mistrust, the systemic inequities that divide society along socioeconomic traces are brought to light. Through the lens of Ericsson, the veneer of class peace is discovered to be a supply of perpetuation of inequality (Prochaska & Norcross, 2018). This leads visitors to impeach the narratives that hold such establishments and to confront the realities of class strife and exploitation.
The hypocrisy in society’s standards and notions of morality is exposed through doubtful sports taken using the Parks to hold their facades. The Kims and the Parks lodge dishonest plans and acts of violence, a good way to keep their façade of ethical superiority. This exposes the darker aspects of human nature concealed under the surface. Observers are encouraged to be mindful of their position in perpetuating social inequality because of Erickson’s character, a mask of moral superiority covering the complexities of human behavior ( Prochaska & Norcross, 2018). “Parasite” pushes viewers to confront the doubts they hide and observe the ramifications of living behind the masks of a world filled with deceit and exploitation (Movieclips Indie, 2019). Through Erikson’s lens, viewers are forced to confront their work in perpetuating social inequality by projecting images of moral superiority.
In conclusion, this film, an effective indictment of the mask that affects how we perceive “parasite” social prestige, morality, and identity through Erikson’s eyes, is a sobering warning of the dangers of being we will make self-sufficiency help to preserve current social inequalities. Exploring the complexities of human behavior and social dynamics, “Parasite” challenges visitors to break free from oppressive systems and work towards a more real and just world, a stark reminder hard that in this age of social inequality and exploitation, we have to tear away the mask that covers these issues.
References
Movieclips Indie. (2019). Parasite Trailer #2 (2019) | Movieclips Indie. In YouTube. https://www.youtube.com/watch?v=K06eRHofI1U
Prochaska, J. O., & Norcross, J. C. (2018). Systems of psychotherapy: A transtheoretical analysis (9th ed.). Oxford University Press.
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