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Work That Is Considered To Be an Image Icon in Visual Culture


Visual cultures are the aspect of one using various visual images. In most traditional work, most individuals use images expressing various visual cultures. This has been commonly done, especially in artwork, whereby many individuals are fond of drawing and coming up with images that are seen clearly and which play a vital role in the community. Various images or works are described throughout the artwork as image icons, especially in the visual culture. Visual culture is the aspect of using various images in the artwork. Throughout this essay, we will major our point of argument on the work that is actually described as the image icon, especially in the visual culture (Rogers, 2021). In the traditional moments, individuals drew various images representing Jesus Christ, the man of God. Throughout this paper, we will discuss various images drawn by various individuals, especially concerning Jesus Christ, that is considered the image icon, especially in the visual culture.

Religious painting forms one of the main works that are famous and is usually considered to be an image icon, especially in the visual culture. Religious painting, as the statement indicates, the artwork that involves drawing various images that represent Jesus Christ. Based on the creation of the artwork as an icon, in this case, coming up with an image that is painted is the original meaning of the icon. Remember, some activities that religious people, especially Jesus Christ, carried out are painted and drawn as images. This process is one of the ways through which the majority of individuals have been able to come up with the image icon. Visual culture deals with the act of transformation of beliefs into various images. Some of the beliefs about Jesus Christ are drawn and more so represented as the image icon.

In most cases, most artists are fond of picking these beliefs about Jesus Christ and using them fully to develop the images (Rice, 2017). While coming up with these particular images, there is the idea of painting these religious images. Therefore, the original painting of these religious images forms the basic foundation of creating the image icons that are used as the visual cultures. Remember, the artwork involves painting. In most cases, artists are found to paint various images to bring about the attention of individuals, especially when viewing them at any given time.

Visual images are commonly used to actually preserve the history and, more so, the culture of any given community or, rather, the nation. Bibble is viewed as a religious history that contains many past deeds carried out by Jesus Christ. For the preservation of these particular incidents that Jesus carried out, many artists have been able to come up with well-painted images that present the originality of image icons in the visual culture. Some of the works need to be described as famous and hence cannot be fully utilised as the image icon whether painted or not. In all corners of the world, everyone has various religious beliefs and, more so, how they hold various beliefs based on Jesus Christ. Jesus was a famous person, and more so, He remains to be famous (Meiss, 2016). Due to this fact, when one uses Jesus’ incidences to create various images, this work will therefore be considered famous. This is because most individuals wish to know more and see the images that have been created.

In the artwork, religious painting is used as an icon. This, therefore, forms image icons that are used for visual culture. Remember, this icon offers a representation of Jesus Christ. Some examples from the religious image icons that are used for visual culture. An example of such work is when an individual opts to use various Christian Religion painting which incorporates various images, such as the lamb, which presents Christ, or the Dove, which presents the Holy Spirit.

In most cases, some of the artworks have direct translations based on the message that is passed to the intended audience. As it has been said in the given example, whenever a lamb is used, especially in religious artwork, this passes the information that this represents Jesus Christ (Landow, 2015). Therefore, the lamb image is used as an image icon with great meaning in the visual culture. In most cases, whenever a person comes across this particular image of a lamb, this offers the interpretation that there is a sense of Jesus Christ. This, therefore, becomes a culture which is in the form of an image hence forming the visual culture.


Figure 1.0

On the other hand, there is usage of the Dove that presents the Holy Spirit. Whenever any given person sees a dove image drawn and painted, one is in a position to understand that this represents Holy Spirit. Therefore this creates an image of culture in the form of religion.


Figure 1.1


As discussed in the body part, some works are described as being famous at any given time. One of the most common and famous works is the religious painting. This involves coming up with various images that are religious and painting them appropriately to make an icon. Remember, as it has been said, there is the idea of painting various images representing Jesus Christ or presenting various incidences that Jesus Christ carried out. These particular images form the basic culture of the individuals, which is visual, forming the visual culture (Thakur, 2015). One of the examples of this particular artwork that has been described as the creation process of an image icon that forms the visual culture is coming up with an image of a lamb. The Lamb image is therefore considered to be an icon. This is because whenever any given person sees the image of a lamb, this shows Jesus Christ. Therefore this is a religious painting task informed by an image icon for visual culture. Also, we have got an image of a dove as it has been described. This, therefore, forms the part of the Holy Spirit in the Biblical concepts, which also forms the image icon for the visual culture.


Landow, George P. “Shadows Cast by The Light of the World: William Holman Hunt’s Religious Paintings, 1893-1905.” The Art Bulletin 65.3 (2015): 471–484.

Meiss, Millard. Painting in Florence and Siena after the Black Death: The arts, religion, and society in the mid-fourteenth century. Vol. 395. Princeton University Press, 2016

Rice, David Storm. “The Aghānī miniatures and religious painting in Islam.” The Burlington Magazine (2017): 128–135.

Rogers, J. Michael. “The genesis of Safawid religious painting.” Iran 8.1 (2021): 125–139.

Thakur, Upendra. Madhubani painting. Abhinav Publications, 2017.


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