At some point in our lives, most each of us has heard about Harlem Renaissance, whether in school, on television, by hearing about it from others or simply reading about it in a book or magazine. During the Harlem Renaissance, a significant period in American and African American history. The Harlem Renaissance helped to create entertainment as we know it today. In this review, we’ll examine the significance of the Harlem Renaissance, the significant individuals who contributed to its formation, and its continuing influence.
Because many African Americans were permitted to express their artistic styles during the Harlem Renaissance, it was a significant period in American history. These genres included jazz and blues music, dance, and literature. The Harlem Renaissance was not only concerned itself with literature and music, but also with racial harmony and the ” going back to Africa ” undertaking, spearheaded by Marcus Garvey, a prominent player in the fight for civil rights. The Harlem Renaissance, often known as the “New Negro Movement,” occurred in the 1920s[1]. Because it was the primary location at the time when many immigrants pursuing the American dream came to create a new life for themselves, Harlem, New York, was chosen as the site for this significant event in American history.
Additionally, there were jobs and the neighborhoods were deemed safe because so many African Americans lived there or shared ancestry, this was the primary region where those who migrated from the South landed. The Harlem Renaissance was a civil rights movement’s post-World War II era that granted African Americans equal rights in a nation grappling with severe racial challenges, making it so significant. Because African Americans at the time didn’t have the same rights as other races, The Harlem Renaissance 3 was a way for them to express their views and share their experiences.
Many people contributed to the Harlem Renaissance becoming what we know today, but some will have a lasting impact on it; when people speak of that era, names like dancer and choreographer Josephine Baker and Bill “Bojangles” Robinson will undoubtedly come up. These people used to dance in an artistic a great method to humanize the suffering and feelings of the situation. Even though there were several prominent figures during the Harlem Renaissance, the names mentioned are ones that many people today may associate with that particular period. Leading thinkers who examined the day’s challenges and spoke for the masses include Marcus Garvey, Mary White Ovington, and W.E. B. DuBois. During that time, well-known musicians and composers were Louis Armstrong[2]. African Americans had access to venues like the Apollo Theater, Cotton Club, and Lafayette Theater, where they could present their unique artistic styles to members of their community or anyone else interested.
Thanks to the literature of that age, people were able to express themselves in ways that they otherwise might not have been able to or would have been too afraid to do. The Harlem Renaissance offered new and exciting artistic expression from people who, up until that point, were not allowed to express themselves, making it a tremendous period in history that was not just about African Americans. Although real change didn’t occur until the 1960s and 1970s, it made individuals of all color’s conscious of racial injustice at the time. This paved the way for future leaders to accept the challenge and bring about substantive change, which was the catalyst required to make that change possible. It’s a period that deserves reflection and celebration because it demonstrates the value of turning to the past for knowledge and inspiration.
Bibliography
Willett, Ralph. “Nathan Irvin Huggins, Harlem Renaissance (London and New York: Oxford University Press, 1971, £ 4.00). Pp. xi, 343.-MG Cooke (ed.), Modern Black Novelists: A Collection of Critical Essays (Englewood Cliffs, NJ: Prentice-Hall, Inc., 1971, 20.00). Pp. xiii, 658.” Journal of American Studies 6, no. 2 (1972): 229-232.
[1] Willett & Ralph, “Nathan Irvin Huggins, Harlem Renaissance” 52-83.
[2] Willett & Ralph, “Nathan Irvin Huggins, Harlem Renaissance” 52-83.
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