Neal Stephenson’s “Snow on the Desert” moves the peruse to the evident and dry desert territory through its utilization of spellbinding language. Stephenson’s utilization makes an unforgiving and troubling tone of expressions like “blown sand scourged the walls” and “the burned by the sun everything.” This shows that even in the center of such a brutal environment, there is potential for a new beginning, as demonstrated by the appearance of snow in the desert. Its seriousness, combined with the expectation of a new beginning, fills in as a strong representation of the strength of the human soul. Eventually, Stephenson’s talented utilization of words demonstrates how the human soul can defeat misfortune and flourish in a brutal climate like the desert. Bowles utilizes the story “Snow on the Desert” to comment on the human condition and the quest for importance in a world that is sometimes turbulent and startling, which might be perceived by looking at the hero’s inward discourse and collaborations with different characters. Bowles’ utilization of snow in the desert illustrates how change can come about even in the driest, most unfriendly conditions. The novel’s all-encompassing subject is the battle between the singular’s requirement for independence and the limitations forced by social and social mores, and this example features this battle.
Agha Shahid Ali’s “Snow on the Desert” is a profoundly contemplative piece that spotlights themes of loneliness, betrayal, and the quest for meaning. Ali portrays a double enchanting and barren world through language and vivid imagery. This sonnet’s tone is laid out by the initial picture of snow falling in the desert. Snow indicates fresh starts and tidiness, yet it likewise underlines the desolate scene.
As the poem advances, the speaker considers his sensations of seclusion and the test of finding importance in a world without all importance. His voice sounds low and discouraged, which might indicate that he is attempting to lay out an association with you. This perspective is much of the time affirmed by the moon, which is, in many cases, deciphered as an indication of isolation.
The poem contains brief passages of beauty and hope despite its general melancholy. For example, the line “the desert builds a snow angel” is a striking image that emphasizes that even in the most desolate of locations, there is still capacity for joy and amazement. Similarly, the concluding words of the poem give a glimpse of hope, as the speaker states that “somewhere, / someone is singing a song / of hope.”
“Today the snow is falling
as if it were an elegy
we translated in college
when we learned a little more
then that, we had not been born
in that country of snow,
its letters impossible to decipher.”
The speaker reflects on the falling snow and its symbolic weight in these lines. The snow falls like an elegy, a melancholy lyric or song generally written for someone who has died. The speaker’s sadness and melancholy are highlighted by the comparison to an elegy, which also raises the possibility that the snow is a metaphor for loss or mourning (Agha, 2019, n.p). The speaker then muses on his earlier encounters with the language of snow, recalling, in particular, an instance when he translated an elegy while still a student. When he and his classmates were younger, they “knew little more than that we had not been born in that nation of snow, its letters impossible to interpret,” the author writes. The speaker is implying that the language of snow is foreign and mysterious, something he finds difficult to comprehend or decipher. The notion of linguistic and cultural barriers deepens the poem’s themes of loss and estrangement by posing the possibility that these emotions can be made worse by gaps in experience, knowledge, and culture.
The assortment of verses known as “Snow on the Desert” is, taken all in all, an intense and provocative work that researches human disconnection and the quest for importance in a cruel and unforgiving climate. Ali’s examination of these topics is deplorable and exceptionally close to home. Using distinctive symbolism and strong representations creates an upsetting vision of a beautiful and desolate world. Ali’s utilization makes this vision of distinctive symbolism and convincing illustrations. Ali makes this vision by utilizing representations and pictures that are both striking and locking in.
The poem “Snow on the Desert” by Agha Shahid Ali is an intensive assessment of personality, memory, and misfortune. Using striking and suggestive symbolism, the writer conveys a feeling of craving for a country that does not exist anymore and a feeling of pity at the certainty of progress and the fleeting idea of presence. The sonnet is likewise a landmark to the force of memory and the significance of sticking to our specific narratives, even as we push ahead into a questionable future. At last, “Snow on the Desert” is a work of substantial close-to-home profundity and intricacy that rewards cautious and mindful perusing.
Agha Shahid Ali’s “Snow on The Desert,” Agha Shahid. 2019. n.p